Given my fascination with all things Noah, rainbows and the deluge, today's image from Anti-heroes seems right on target. Remember all the Armstrong synchs from June. Lance Armstrong is on the cover of Outside magazine with this piquant quote: "Pardon my French, but !@#$ them."
Lance is another euphemism for male genitalia, and he is obviously saying "fuck them". !@#$ is 1234 on the keyboard, which is the first time I've considered that fuck = 1234. Jeff Fairhall said that FUCK was the name of G*D - the true tetragrammaton - the ultimate four letter word.
My dad was a master at "shooting the moon" - a daring play in the game of hearts (AKA Black Lady, Black Maria, etc).
"Lamp poles were knocked down on the cloverleaf overpass of the highway just west of the Pentagon, on which traffic was stalled at the time of the attack." -- 911 research
It's been the strangest of Junes - capstoned with the deaths of Farrah and MJ, both channeling a variety of Nephilim genetics - all on the same day - 5x5. Goro Adachi covers most of the bases in his Moonwalker Prophecy but still, I have the oddest feeling that there is yet one more shoe to drop. It all ties into Noah and the Flood, and how gay people have somehow become the "standard bearers" of the Covenant. In itself a very queer concept, because the Flood was all about angelic tampering with the genetic code, children, bloodline, inheritance, all things to which we "eunuchs" are more or less strangers - the "dry tree".
And God said, "This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all generations to come: I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind. Never again will the waters become a flood to destroy all life. Whenever the rainbow appears in the clouds, I will see it and remember the everlasting covenant between God and all living creatures of every kind on the earth." --Genesis 9:12-16
I was at the grocery store yesterday, buying eggs and vegies, didn't have quit enough cash for all of it, so I had to "leave behind" one head of broccoli at the checkout. Broccoli is a "cruciform vegetable", and remember how George Bush Sr. famously hated broccoli. Albert "Cubby" Broccoli was the producer of the James Bond franchise, so plenty of interesting synchs that day in the local Red Apple grocery.
Today, the post man delivered mail to both mailboxes on either side of us, but strangely "passed over" ours.
Ever since the Pride Parade, we have a rainbow flag sitting in a little hand blown blue vase, an Xmas gift from Varen's former landlord. I asked him about it tonight, he said she brought it back with her from a trip to Geneva... of course.
One thing about God is that he doesn't seem to have a very good memory. He needs a reminder in the clouds so that he doesn't destroy us again?!! I suppose history, and memory, is a left brain thing. I dunno, but it might be a good idea to keep a rainbow around the house right now - a little reminder?
I made a trip to Blockbuster last week looking for Bond - Roger Moore Bond. As luck would have it, Moonraker was the only Roger Moore movie available - hardly my favorite. But I grabbed it anyway, Roger at his worst is still better than Pierce. Funny thing is, it became obvious that Moonraker followed exactly the same plot as Sky Captain. How odd.
Every Bond movie begins with this quick gunshot at the eye of Horus. Why does Horus need to be killed? And why is he "me"?
Hugo Drax (Michael Londsdale) oddly resembling James Mason’s Captain Nemo, is a fabulously wealthy industrialist obsessed with the conquest of space. His company - Drax Industries - builds the Moonraker space shuttle. The bible doesn’t say if Noah was chairman and CEO of Noah Industries, but it doesn’t say he wasn’t.
Drax lives in a fabulous French Chateau in California, from which he directs and funds an astronaut training program (a thinly veiled eugenics operation) to create genetically perfect individuals for his new world in space, and it turns out, to repopulate the (soon to be decimated) earth.
These are the generations of Noah: Noah was a just man and perfect in his generations, and Noah walked with God. --Genesis 6:9
Christian nutters say that the "giants" begotten by the angels (Nephilim), were their genetic experiments and "children", back in the day of Noah. Alien cross-breeding is a major feature of modern day alien abduction mythology - Agent Scully duly noted.
How interesting that we have a giant in Moonraker: "Jaws". Jaws (played by seven foot Richard Kiel), eventually sides with James, once he figures out that Noah isn't cool with his seed, or his new girlfriend.
So we don’t forget, this is a Masonic tableau, note the “playing field”.
James follows the leads to a glass blowing shop (and twin towers) in Venice , with an interesting hexagonal logo:
As it turns out, this glass blowing studio is a front for Drax’s nerve gas production lab. The gas (which effects only humans), is injected into hexagonal cylinders, and then placed into globes encased within a hexagonal ring. Drax is seriously into hexagons.
Meanwhile, back on the canals, Bond is being ferried around in his black and gold sea chariot when he’s attacked by a funeral procession (a frequent Bond motif). Thanks to his usual technological advantage, he escapes the grim reaper - this time via a gondola/hovercraft complete with Masonic stripes. Later, Bond is seen skulking about the canals in the same gondola. He docks, and then tosses his gondolier’s hat atop a sea horse. For some horses for courses, read C Horses.
After the lab in Venice, Bond follows the trail to Rio, via some well marked boxes. In Rio, Bond visits the secret lair of British Intelligence: a "Catholic" monastery.
While there, he walks in on some brothers in “meditation”: a pair of warrior monks - Latter Day Knights Templar? So there is no doubt, remember Sean Connery played William of Baskerville, the Franciscan friar in 'The Name of the Rose', by the sly grail echo, Umberto Eco.
James follows the clues north, to a remote Amazonian tributary. He discovers Drax’s earthly, pyramidal headquarters, from which he is launching a squadron of Moonrakers. He follows a white robed Circe across a subterranean river into a pre-Columbian, post-Modern realm.
He soon meets more of Drax’s perfected genome, and Drax himself. He's then cast into a pool to be eaten by a large reptile. James is frequently the Crocodile Huntee, see Jake Kotze’s recent post Gemini about all consuming crocodiles.
James and CIA agent Dr. Holly Goodhead skulk about the complex, and they happen across this crazy box on its stage/alter, that is ignored and left totally unexplained. I gotta ask, why/how does Drax/Noah have the Ark of the Covenant stashed in his pyramid?
All Bond villains have their personnel conveyers, and Drax is no exception. I love this shot, it’s straight out of Josie and the Pussycats.
After all that, James and the good doctor hijack a Moonraker to Drax’s secret space lair, which resembles a shining sword of Damocles at first glance, but is in fact a cloaked space station, AKA the death star, VALIS. I have to admit the idea of a cloaked satellite is interesting. Maybe the satellite is actually hiding in plain site, but cloaked in myth. The moon hits my eye like a big pizza pie...
NOTES:
Richard Kiel acted in an unaired TV-pilot featuring Lee Falk's superhero The Phantom, where Kiel played an assassin called "Big Mike", who was hired to kill the title hero.
Roger Moore rose to Bond prominence playing Simon Templar in 'The Saint'. Is it just me, or does the Saint walk like an Egyptian? Isis/Liberty is a nice touch at the end.
As it was in the days of Noah, so it will be at the coming of the Son of Man. --Matthew 24:37
I rented 'Sky Captain and the World of Tomorrow'... again. I’ve seen it four times. Something (everything) about this movie fascinates me: the 40’s film noir, the giant robots, Manhattan, Jude Law. Sky Captain takes place in an imaginary past/future, something close enough to the collective imaginary past to seem virtually historical, but with the gorgeous opening scene of the Hindenburg III docking to the mooring mast of the Empire State Building, it clearly, is not. For background on the Hindenburg, see The Hindenburg Star Gate Ritual.
The plot revolves around a mad scientist’s (Totenkopf) plans to build a giant spaceship, collect flora and fauna two by two, shoot them safely into space, and then destroy the earth below. Noah the Super Villain. As I watched, I had the feeling that this really WAS the story of Noah, or at least a version of it. This version has Manhattan playing corrupt Atlantis at the close of the Golden Age. Hmmm... the shoe does seem to fit.
In the first seven minutes we see the Hindenburg III (a stargate image evoking the three ages: Gods, Heroes and Man), the Brooklyn Bridge, the Masonic Temple of the Sun, a fly over of Hermes, Isaac Newton’s ‘Mathematical Principles of Modern Philosophy’, and a screening of The Wizard of Oz at Radio City Music Hall! It's a synchropalooza.
Noah as the genocidal egomaniac who destroys the earth is a considerable biblical revision, but one that Hollywood presents with regularity, as we will see in the next episode. I admit to a fascination with the subject. What really DID happen back then, in the time before history? I have a feeling we’re about to find out. The World of Tomorrow, same as it ever was.
The face of Noah/the Wizard/Lawrence Olivier.
The ark departs, storms a brewin'.
An angel of death carrying the Sword of Damocles rides the rocket.
Angelina plays "Frankie" Cook... an angel of rescue. The angels always speak with British public school accents.
"The human male cock is the tentacle tip of a joyous multidimensional shapeshifting multi-modality ecstacy experiencing BEAST of enormous proportions..." more
